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Mars Volta: Deloused in the Comatorium (2003) Featuring: Cedric Zavala - Vocals, Omar Rodriguez-Lopez - Guitar, Jon Theodore - Drums, Juan Alderete - Bass, Isaiah Owens - Keyboards Retail: $12.98 / Street: $10 by Alex Mestas 7/31/2003 More info: The Mars Volta |
For the uninitiated, I'm about to do one of my famous comparison. The Mars Volta sounds like Radiohead jamming with Tool all overseen by Pink Floyd with many modern punksters cheering on from the sidelines. Great art is always derivative of that which came before it, and Deloused is the perfect example. The machine-gun fire drumming and pounding guitars just plain sound like punk. But it's impossible to say it's punk and leave it at that. Along with the California-punk sound, there's an equal mixture of synthesized backbeats and plaintive singing. Like Radiohead. Except not as mopey and British (not that there's anything wrong with that. Melikes Thom and Company mucho). Some music is meant for parties - this is definitely not one of them. Like Radiohead's Amnesiac, it's a little too esoteric for the general public to jump on. But in the same vein, Deloused provides enough concussive rock to keep you going while you're driving in the car.
It's hard for me to write about something that's I so difficult to finger (metaphorically of course. I'm not in the habit of diddling CDs.) I've literally heard nothing like The Mars Volta. Of course, history tells us one of two things: either they're going to fade into obscurity, or thrive. With something this interesting, I don't see how people can stay away. There's no need to tell you
that reviews for (books, movies etc.) are entirely subjective. But perhaps
even more so for music - one man's ear rape is a another man's Celine
Dion. Something about music makes it entirely personal. You may hate The
Mars Volta, but I'm hoping you won't. Check out track two at
the link below to hear what you're in for: |
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